Festivals - Gokulashtami

Janmashtami

The birth anniversary of Lord Krishna, the incarnation of Vishnu is celebrated with great fervour all over India especially at Mathura and Brindavan where Lord Krishna spent his childhood. Temples and homes are beautifully decorated and lit. Night long prayers are offered and religious hymns are sung in temples. The priests chant holy mantras and bathe the idol with Gangajal (water from the holy Ganges River), milk, ghee (clarified butter), oil, and honey pouring all these from a conch shell.

Janmashtami is celebrated in various parts of India to mark the birth of Lord Krishna. It is observed on the Ashtami day of the Shravan (July/August) month according to the Hindu calendar. The temples of Brindavan witness an extravagant and colourful celebration on this occasion. Raasaleela is performed to recreate incidents from the life of Krishna and to commemorate his love for Radha.

Lord Vishnu is invoked in his human incarnation as Krishna on his birth anniversary in the festival of Janmashtami. The idol of the infant Krishna is bathed at midnight and is placed in a cradle. Devotional songs and dances mark the celebration of this festive occasion all over Northern India.

On this day, in some parts of India, especially Maharashtra, youths celebrate it by breaking clay pots called ‘Dahi-Handi’, filled with curd and butter suspended high above the ground, young men and children form human pyramid to reach the pot and break it. This custom follows the habit of Lord Krishna who used to steal butter in this manner from villagers along with his friends. The reason for this is that Gokul; the place where Lord Krishna spent his childhood used to generate a lot of milk and the people used to sell it in Mathura, thus depriving their children from milk and butter which is very essential for young boys and girls.

Legends

According to the legends, the birth of Lord Krishna took place under extraordinary circumstances. Krishna was an incarnation of Lord Vishnu who comes to the world to get rid of all evil demons. He was born at midnight stroke on a dark, rainy night to ‘Devaki’ and ‘Vasudev’ who had been imprisoned by Devaki’s brother Kamsa.

It had been foretold that the eighth son of Devaki would kill the evil king Kamsa. Upon hearing this prophecy, Kamsa had his sister put into prison. He killed her seven children one by one but when Krishna was born, there was divine intervention to save the life of baby Krishna. The guards had fallen into deep slumber and were unable to inform their master about the newborn child.

A voice commanded Vasudev to take the baby to Gokul and exchange with the newborn baby Nanda and Yashoda. The shackles and the prison gates opened miraculously and Vasudev carried the child in a small basket, through the waters of Yamuna. As it was a dark stormy night, the waters of Yamuna were raging but parted to let the carrier of the divine Krishna pass. A huge snake known as Adisesha with 2000 hoods, glided behind them, its hoods formed a protective canopy over the child.

When Vasudev returned back with Nanda’s child the shackles fastened and the doors closed and the guards awakened. Kamsa came and picked up the child to hurl it to the wall and kill him but somehow the baby slipped from his grasp and took the form of a Goddess laughing at Kamsa, she vanished after telling him that the one who would kill him had already taken birth and was elsewhere.

As a little boy, Krishna was the heartbeat of Gokul, a mischievous prankster who was his favourite amongst the gopikas. He used to steal curd and butter from the houses of gopikas. Even though he was a child, he performed several miracles. His exploits are now the immortal legends of Braj. He killed a number of ‘asuras’ (devils), vanquished the Kali Nag and later he killed Kamsa as it had been foretold.

Rituals

On Janmashatmi, devotees keep daylong fasts and keep themselves awake while chanting ‘bhajans’, until midnight follows. Midnight is the moment when Lord Krishna was born. The prayer ceremony is a simple affair. The priests chant holy mantras and bathe the idol of Lord Krishna placed on a swing with charanamrit or ganga-jal (water from the holy Ganges River), milk, ghee (clarified butter), oil, and honey from a conch shell.

Midnight prayers amidst the sound of hymns and religious songs extol the greatness of Lord Krishna. Devotees break their day-long fast and chant - “Radhe Krishna, Hare Krishna, Radhe Radhe.”

Celebrations

Mathura, the birthplace of Lord Krishna, where his parents lived in captivity of the evil Kamsa and He as a young boy came and vanquished his maternal uncle Kamsa to ascend the throne and free his parents, celebrates Janmashtami with great enthusiasm. The main celebrations are performed at the Dwarkadhish temple, Mathura in the form of Jhulanotsava and the Ghatas during the entire month of Shravan. The ghatas are a unique feature of the month long celebrations. During the ghatas of a particular colour the whole temple is covered with decoration in the same colour. Even the Lord dresses up in the same colour. The twin cities of Mathura-Brindavan take on a festive look and spirit of devotion runs high among the people. It was on the banks of the Yamuna River where Lord Krishna played during his childhood and indulged in pranks and tricks with his friends and the gopis. There are about 400 temples dedicated to Lord Krishna in this sacred city and the major festivities are held at the Banke Bihari, Rangaji, Shri Krishna Balram temple and Gopinath temple. The Rasaleela of Braj is thematically the basis of many performing arts.

Lord Krishna was born in the Duapar Yug which came just before the Kal Yug and Janmasthami, his birthday falls on the Ashtami Paksh or the 8th day of the new moon fortnight in the month of Bhadra some time in July or August. The Jhankis (tableaux) depicting many significant scenes from Lord Krishna’s life are the intrinsic part of Janmasthami. Devotees also make beautiful Jhulans (Cradles) for the baby Krishna. In some parts of India, young men break the Matkas (Earthen Pots) filled with butter and curds. The most important tableaux is that of baby Krishna. An idol of baby Krishna is placed on a cradle, which is rocked to recreate scenes from Krishna’s infancy. The devotees believe that anyone who makes a wish and while rocking the cradle in which the Lord is, his or her wish will be granted on this day. Other popular Jhankis are Kaaliya Mardan (vanquishing the black snake Kali Nag), Kansha vadha (Killing Kansha) and lifting the Govardhan Parbhat.

In Brindavan, every year the Raasleelas or the folk theatre acting out Krishna’s Life stories begin much before the Janmasthami day. These Raasleelas are staged by professional drama troupes or even young children. These dramas characterised by colourful costumes and equally colourful backgrounds. Raasleelas are usually accompanied by musicians and are very popular among the people. The language spoken by the actors and the actresses is the Brajbhasha but sometimes Hindi is also used.

In Maharashtra, Janmashtami witnesses the exuberant enactment of the god’s childhood endeavours to steal butter and curd from earthen pots beyond his reach.

In Maharashtra, earthen pots of curd and butter are hung up over the streets. Young men enacting an episode from Krishna’s childhood form human pyramids by climbing on each other’s shoulders and try to break these pots.

Mathura, the birthplace of Lord Krishna, has about 400 temples dedicated to him. The main celebrations are held at the Dwarkadhish temple, Banke Bihari, Rangaji, Shri Krishna Balram temple and Gopinath temple.

In South India, Janmashtami or Gokulashtami is celebrated with prayers, devotional renditions and offering of fruits and special prasadams to Lord Krishna. In some houses, a typical setting of ‘Gokulam’ is arranged with mud images of Devaki, Vasudeva with little Krishna perched in a basket on his head, a cow, besides other things related to Krishna’s legends.

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Festivals - Onam

Onam

  

Onam is one of the greatest festivals of Kerala. It is the festival, which the keralites celebrate with unity brushing aside the difference of caste and religion. Onam is a time for sports and festivities and in Kerala where one third of the area is low lying, covered with canals, lakes and backwaters; the people take to their boats and country crafts to celebrate. Colourful aquatic festivals are organized along the sacred rive Pamba.

After three months of heavy rains, the sky becomes a clear blue and the forests a deep green. The brooks and streams come alive, spitting forth-gentle white foam, the lakes and rivers overflow and lotuses and lilies are in full bloom. It is time to reap the harvest, to celebrate and to rejoice. The harvest festival of Onam corresponds with the Malayalam New Year, Chingam.

Onam is the most important harvest festival of Kerala and is an attraction for thousands of people within and outside the state. Ranging from four days to ten days, all the activities during this season are cantered around worshipping, music, dances, sports, boat races and good food. It is celebrated in the Malayalam month Chingam (ending of August and beginning of September). This year it falls on 15 September 2005. Onam is a harvest festival, and celebrates the bounty of nature after a year of hard labour. Elaborate procession of Trichur and spectacular snake boat races on River Pampa mark the merry-making nature of the festival. Women dress up in new saris and heavy jewellery and make elaborate and intricate designs of ‘rangolis’ (with coloured rice paste) and ‘pookkalam’ (with flowers) in front of their homes.

Onam is a celebration of Ten days. It comes in the month of “Chingam” according to Malayalam calendar. People put flower mats in front of their houses, to welcome the King. There will be competition for the laying of flower mats; Keralites all over the world will be celebrating these ten days will pomp and gaiety. They will wear new dresses, will be visiting almost all temples which they can, they will be performing lot of dances like Thiruvathira kali Thumbi Tullal etc. to name a few and the most important thing is the grant lunch they will be having on the Thiuruvonam day. Which is also called the Fourth Onam. Whatever may happen they will not miss the Grant lunch. There is a saying in Malayalam that “Kanam Vittu Onam Unnanam” which means, “We should have the Thiruonam lunch even if we have to sell all our properties”. They give that much importance to the lunch on the Thiruonam day.

Legend

A long time ago, an Asura (demon) king called Mahabali ruled Kerala. He was a wise, benevolent and judicious ruler and beloved of his subjects. Soon his fame as an able king began to spread far and wide, but when he extended his rule to the heavens and the netherworld, the gods felt challenged and began to fear his growing powers. Presuming that he might become over-powerful, Aditi, the mother of Devas pleaded with Lord Vishnu to curtail Mahabali’s powers.

Vishnu transformed himself into a dwarf called Vamana and approached Mahabali while he was performing a yajna and asked for alms. Pleased with the dwarf Brahmin’s wisdom, Mahabali granted him a wish. The Emperor’s preceptor, Sukracharya warned him against making the gift, for he realized that the seeker was no ordinary person. But the Emperor’s kingly ego was boosted to think that God had asked him for a favour. So he firmly declared that there is no greater sin than going back on one’s promise. He kept his word.

The Vamana asked for a simple gift — three paces of land — and the king agreed to it. Vishnu in the guise of Vamana then increased his stature and with the first step covered the sky, blotting out the stars, and with the second, straddled the netherworld. Realising that Vamana’s third step will destroy the earth; Mahabali offered his head as the last step.

Vishnu’s fatal third step pushed him to the netherworld, but before banishing him to the underworld Vishnu granted him a boon. Since he was attached to his kingdom and his people, he was allowed to return once a year from exile. Onam is the celebration that marks the homecoming of King Mahabali. It is the day when a grateful Kerala pays a glorious tribute to the memory of this benign king who gave his all for his subjects.

Another Legend

Another legend has it that King Mahabali was a devout worshipper of Lord Vishnu. He was sincere, honest, just and a good ruler. But he had one weakness — ego. And to eradicate his pride and redeem his beloved devotee of this one sin, Vishnu came to earth in the form of a dwarf Brahmin named Vamana.

The king in his pride asked the Brahmin what he wanted for he could give anything. Vamana asked for three paces of land and the king agreed. To make Mahabali realise that he was a puny creature in front of God’s universal stature, Vishnu himself had taken Avatar of Vamana and was testing his ability.

Mahabali, who was a man of principles, realized God’s purpose and offered his head for Vamana’s footstep, as he was sent to another world. This fatal step proved a blessing in disguise for the good king — the foot salvaged and released him from the recurrent cycle of birth and death. That is why Onam is celebrated by wearing new clothes and resolving to lead a new life of truth, piety, love, and humility.

Rituals

Onam is a festival of festive celebrations. New clothes are bought on this day and people indulge themselves in dances and sports. The number of days of the festival range from four to ten days, depending on the region. The children and the youth join in the mirth of the season and set about collecting flowers early morning to decorate the yards of their houses for the ten days of the festival, starting from Atham to Thiruvonam. The native flower carpet known as ‘onapookalam’ is the highlight of these decorations and there are specifications of the type of flowers to be used on each day of the festival. Today the artistic and skilful decoration of the traditional ‘pookkalams’ is being lost into obscurity.

On the day of Utradam, ninth day since the beginning of the festival, houses are well cleaned and decorated and gala feasts are arranged. Then the images of deities and cones made up of sticky clay painted red are placed there. They are known as ‘Trikkakara Appan’. These images are adorned with lines tastefully drawn with rice flour mixed with water and then they are worshipped. After the ‘pooja’, the male members raise loud rhythmic shouts of joy known as ‘Aarppu Vilikkukal’.

The next day is the main day of Onam where new clothes are given as presents followed by a grand feast. On the ninth day, tenants of the family, dependants and hangers-on present the fruits of their labour, such as vegetables and coconut oil to ‘Karanavar’, the eldest member of the Tarawad in a ritual called ‘Onakazhcha’. In return, they are treated with a sumptuous feast on the main day of Onam. It is also customary for the village artisans to present the Karanavar of each Nayar Tarawad, a specimen of his handiwork in return of the presents of cloth or rice.

Celebrations

At Aranmulla, where there is a temple dedicated to Lord Krishna and Arjuna, thousands of people gather on the banks of the river Pamba to witness the exciting Snake Boat races. Nearly 30 chundan vallams or snake boats participate in the festival. Owned by villages bordering the river from the hills to the low lying plains- a stretch of about 40 kilometres - these boats are steered by oarsmen dressed in white dhotis and turbans. Singing traditional boat songs, the oarsmen splash their oars into the water to the rhythm of the songs. They guide their boats to cruise along, seemingly like a fish on the move. The golden lace at the head of the boat, the flag and the ornamental umbrella at the centre make it a spectacular show of pageantry. Though ostensibly a competitive event, the festival is more a visual extravaganza.

To date on the eve of Thiru Onam the boat Palliodam floats down from Katoormana to the accompaniment of blowing of conch shells, music and drum beating. Torches are lit and snake boats accompany the procession. The colourful boat festival is held on Uthruttathi or the fifth day after Thiru Onam.

Each snake boat belongs to a village along the banks of the river Pamba and is worshipped like a deity. Only men are allowed to board or even touch a boat and that just barefoot. Every year the boat is oiled mainly with fish oil, coconut shell, and carbon, mixed with eggs. The black mixture keeps the wood strong and the boat slippery in the water. Annual repairs are carried out lovingly by the village carpenter and people take pride in their boat, which represents their village and is named after it.

Tradition demands that the Nambudiri Brahmin be at the main rudder oar about 12 feet long. There are four main oarsmen who control the movement of the boat. And in minutes the boat can turn around just by the twist of the hand by the chief oarsman. In the old days the villagers used to sit in the boat in order of their castes but today the order is changing though a certain pattern can still be distinguished. Everyone- the carpenter, the barber, the goldsmith, the blacksmith as well as the agricultural labourers - all have a place on the boat. And in close harmony and magnificent synchronization they pull at the oars. In Trichur, a vibrant procession with resplendently caparisoned elephants is taken out.

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